Bonjour mes amis et bienvenue à la deuxième semaine de #MiserablesMay! If you have no idea what I’m talking about, long story short: I decided reading Victor Hugo’s Les Misérables in the space of the month of May would be a good idea. (I was wrong.) If you’re curious about the intended weekly schedule and organisation of this, be sure to check out my announcement post or the post of my co-host Liz.
Last week was something of a challenge. Due to the bank holiday on the Monday I felt suitably lazy to kick off the week… which is never a good thing when you’re on a tight schedule! Then, on Saturday both Liz and I’s day was entirely taken up by a trip to London to see a couple of shows (Hamilton again which was fantastic as always and Betrayal which was surprisingly enjoyable!) so the entire day was spent driving to/from Milton Keynes, getting the train into Central London, watching two theatre productions, and then doing the same journey in reverse. It meant we didn’t get home until the early hours of Sunday and though I thoroughly enjoyed the day, it meant Sunday was a little bit skew-whiff too since I woke up later than I ordinarily would and was tired so didn’t really want to pick up Les Misérables as a relaxing Sunday afternoon read! All this is to say this post comes to you a day late for all these reasons, as I’ve only just caught up. But, still, caught up I have so let’s have a look at where Volume Two took us…
Recap of Volume Two: Cosette
We left the last volume on a suitably depressing note: on Fantine’s death. This volume, optimistically titled Cosette, suggests that her daughter may just fare a little better than her mother did. True to form though, the volume doesn’t open with what it says on the proverbial tin – instead, we’re treated to a 50+ page breakdown of the Battle of Waterloo. I kid you not. Now, I don’t know how, but Victor Hugo made me not care at all about a distinctly important battle. Throughout the entire thing I must have muttered ‘but why do I care? I don’t cARE’ so many times that I actually lost count. Genuinely. I was going to do a funny ‘number of times I muttered why do I care’ counter… and then the counter broke. Much like my experience with War and Peace, the war bits were distinctly less interesting that I thought they would be. There’s a reason why long epic battle scenes look so incredible on-screen but are difficult to pull off on the page. Victor Hugo proved that. The only bit I enjoyed hearing about was the (not so surprising) revelation that Thénardier skulked around battle scenes after the fact and stole from the corpses of dying soldiers. Classy af. Basically, he tries to steal a ring from a not-quite-dead corpse and Hugo bothers to have the dying character tell Thénardier his name so he will become Important I’m sure. (Ok, ok, I already know it’s Pontmercy, which is Marius’ surname so the revelatory family connection isn’t going to be so revelatory when I finally get to it.)